Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Pietro vannucci called IL perugino
The Virgin and the Nino acompanados for two angeles, Holy Rose and Holy Catalina

ID: 41979

Pietro vannucci called IL perugino The Virgin and the Nino acompanados for two angeles, Holy Rose and Holy Catalina
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Pietro vannucci called IL perugino The Virgin and the Nino acompanados for two angeles, Holy Rose and Holy Catalina


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Pietro vannucci called IL perugino

Citta della Pieve ca 1448 -Fontignano 1523  Related Paintings of Pietro vannucci called IL perugino :. | A clam sunset scene | Schulkinder im Wald | The Flight into Egypt | The road bridge at Argenteuil | The Window towards to City |
Related Artists:
Krzysztof Lubieniecki
(1659-1729) was a Polish Baroque painter and engraver active in Amsterdam during the Dutch Golden Age. Krzysztof was born in Szczecin. He and his brother Teodor Lubieniecki hailed from an Arian family. They learned to paint from Juriaan Stur in Hamburg. In 1667 they travelled to Amsterdam, where Krzysztof apprenticed with Adriaen Backer, and Teodor with Gerard de Lairesse. In 1682, Teodor moved to Hannover before eventually moving to Poland in 1706, where he died. Krzysztof remained in Amsterdam, where he painted portraits and genre pieces. He also collaborated on prints for Jacobus Houbraken, Daniel Willink, and Johannes Brandt (son of Gerard Brandt). He died in Amsterdam.
FIORENZO DI LORENZO
Italian painter, Umbrian school (b. ca. 1445, Perugia, d. ca. 1525, Perugia)
Nuzi, Allegretto
Italian, 1320-1373 .Italian painter. He was probably trained in Fabriano by local masters who introduced him indirectly to Giottesque and Sienese influences. Familiarity with the work of an anonymous artist responsible for the frescoes (Urbino, Pal. Ducale) from S Biagio in Caprile also contributed to his early style. Nuzi's first signed and dated work is a Maest? of 1345, believed to have been painted for S Domenico (formerly S Lucia) in Fabriano. This altarpiece is a close contemporary of two frescoes in the sacristy of the same church, which have been ascribed to his hand following their restoration in the mid-1970s (Donnini, 1975).






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